Tevaram Wikipedia. The Tevaram Tamil Tvram denotes the first seven volumes of the Tirumurai, the twelve volume collection of aiva devotional poetry. All seven volumes are dedicated to the works of the three most prominent Tamil poets of the 7th century, the Nayanars Sambandar, Tirunavukkarasar and Sunda 123 The singing of Tevaram is continued as a hereditary practise in some Shiva temples in Tamil Nadu. In the tenth century, during the reign of Raja Raja Chola I, a collection of these songs was found abandoned in the Chidambaram temple, along with other religious literary works, and collated by Nambiyandar Nambi. It is during the Chola dynasty that Saivism came of age and Tevaram, with its body of texts on rituals, philosophy and theology, was canonized. The 2. Shiva temples that are casually mentioned in the verses are classified as vaipu sthalam. It was Tevaram for Saivism and Nalayira Divya Prabandam for Vaishanvism. There are 7. 96 of these songs with a total of more than 8. WY9KCi0kqCk_Z6lCT-uU5Ys1c78f9XI92zJaX7nSvgdZPea6qcm_BXGeseqeBfMFvN2=h900' alt='Periya Puranam Tamil Pdf' title='Periya Puranam Tamil Pdf' />The three poets were not only involved in portraying their personal devotion to Shiva, but also involved a community of believers through their songs. It is one of the important sources of Tamil Bhakti, a movement that inspired the agricultural community. The word Dvram means garland of poems to the lord. EvolutioneditThree stages have been identified in the evolution of Thevaram first is the mark of Shiva as the supreme deity during the 7th 9th century, the second involved Chola kings initiating the compilation of all the hymns and installing the images of the 3 saint poets during the 1. Saiva Siddantha canon in the 1. Both the Saiva and Vaishnava textual tradition negated the Vedic orthodoxy and Smartha tradition practised during the era. The authority of the hymns were established with the Saivities calling the Tevaram as Tamil Marai meaning Tamil Veda, while Vaishnavities called the Nalayira Divya Prabandham as Dravida Veda. The usage of Sanskrit liturgies for religion was overcome with the usage of Tamil in both Tevaram and Prabandham. Sangam literature established the convention of akam internally orineted and puram externally orientated poetry. Though influence of Sangam literature is often seen in Thevaram, the strict conventions were not followed. The verses were more oriented towards folk tradition, which was easily accessible to people. The first three Tirumurais meaning parts of Tevaram are composed by Thiru Gnaana. Sambanthar, the next three by Appar and the seventh one is composed by Sunda Appar and Thiru Gnaana. Sambanthar lived around the 7th century, while Sundarar lived in the 8th century. During the Pallava period these three travelled extensively around Tamil Nadu offering discourses and songs characterised by an emotional devotion to Shiva and objections to Vaishnavism, Jainism and Buddhism. Fidget Spinner is a toy. Small child is used for entertainment purpose. The Tevaram Tamil Tvram denotes the first seven volumes of the Tirumurai, the twelvevolume collection of aiva devotional poetry. Though Lord Murugan is the sole object of praise, each Thiruppugal being addressed to Him and ending with perumLE my Lord, etc., Arunagirinathar so dexterously. Thiru Gnaana. Sambanthar is a 7th century Holy Guru ParamaachariyaarThe great Teacher born in See. Kaazhi, now wrongly called as Sirkali in Brahmin community and was believed to be breastfed by the goddess umadevi also called as Parvati, whereupon he sang the first hymn. On the request of queen of Pandya Nadu, Thiru Gnaana. Sambanthar went on pilgrimage to south, defeated Jains in debate, the Jains provocation of Sambandar by burning his house and challenging him to debate, and Thiru Gnaana. Sambanthar s eventual victory over them1. He was a contemporary of Appar, another Saiva saint. Information about Sambandhar comes mainly from the Periya Puranam, the eleventh century Tamil book on the Nayanars that forms the last volume of the Tirumurai, along with the earlier Tiruttondartokai, poetry by Cuntarar and Nambiyandar Nambis Tiru Tondar Tiruvandadi. A Sanskrithagiography called Brahmapureesa Charitam is now lost. The first volumes of the Tirumurai contain three hundred and eighty four poems of Sambanthar in 4. Thiru. Gnaana. Sambanthar merged with Lord around the age of 1. CE on the day of his marriage. His verses were set to tune by Thiru. Neela. Kanda Yaazhpaanar, who is set to have accompanied the musician on his yal or lute. Appars aka Tirunavukkarasar was born during the 7th century in Tiruvamur, Tamil Nadu, his childhood name for Marulneekiar. His sister, Thilagavathiar was betrothed to a military commander who died in action. When his sister was about to end her life, he pleaded with her not to leave him alone in the world. Vengeance Producer Suite Phalanx. She decided to lead an ascetic life and bring up her only brother. During boyhood, Appar was very much interested in Jainism and started studying its scriptures. He went away from home and stayed in their monastery and was renamed Darmasena. Details of Appars life are found in his own hymns and in Sekkizhars Periya Puranam the last book of the Tirumurai. Appar had travelled to nearby Patalipura to join a Jain monastery where he was given the name Dharmasena. Seeing the transient, ephemeral world he decided to probe into truth through renunciation. After a while, afflicted by a painful illness, Dharmasena returned home. He prayed for relief at the Siva temple where his sister served and was cured by Lord. Lord gave the name Thiru. Naavukku. Arasar. He was also involved in converting the Pallava king, Mahendravarman to Saivism. This was also the period of resurrection of the smaller Shiva temples. Appar sanctified all these temples by his verses2. He was called Tirunavukkarasu, meaning the King of divine speech. He extolled Siva in 4. Tirumurais 4,5,6. When he met Campantar, he called him Appar meaning father. He merged with lord around the age of 8. Tirupugalur. 2. 2 He famously known for his Thiru. Thandagam6th Thirumurai. Thiru. Thandagam is difficult to compose, He is called as Thandagach Chadhurar Expert in Thiru. ThaandagamSundarar aka Sundaramurthi was born in Tirunavalur in a Brahmin family during the end of the 7th century. Sadayanar and Isai. Gnanyiaar are his parents. His own name was Nambi Arurar and was prevented from marrying by the divine grace of Siva. He later married a temple girl namely Paravi Naachiyaar and a vellala community girl by name Changili naachiyaar. He is the author of 1. Tirumurai. 2. 2 He is close friend of Kazharitru. Arivaar Nayanar aka Cheramaan perumaal Nayanarone among the holy 6. Eyar. Kon Kalik. Kaama Nayanaralso one among the holy 6. From Thiru. Anjai. Kalam now Thiru. Vanjikulam, He went to Kaiylaayam in Holy Elephant which have 1. The hymnseditAll the songs in the Tevaram called pathikam, Tamil are believed to be in sets of ten. The hymns were set to music denoted by Panns and are part of the canon of the Tamil music. They continue to be part of temple liturgy today. Several of these poems refer to historic references pointing to the saint poets own life, voice of devotee persona, using interior language of the mystic. Multi vocal rhetoric is commonly used taking on personal emotions and genres and some voices of classical Sangam literature. Of the three, Campantars life is better interpreted by his verses. According to Zvelebil, Campantars lyrics are characterized by egocentricism, by militancy and great ardour, by a warm feeling for the greatness and beauty of Tamil language with scholarly experimentation in meters showing familiarity with Sanskrit forms. Campantars poetry shows structural and thematic distinctiveness of the bhakti speech of poetry.